Memoires for paul de man
"Curiously enough, it seems to be only in describing a mode of language which does not mean what it says that one can actually say what one means." For both de Man and Derrida, we are, in reading a text, faced with an aporia (or paradox, or undecidability) regarding the text and what it is 'saying', or 'writing'. In these regards (and many others), there are affinities between de Man's work and that of the French philosopher Jacques Derrida (read the latter's Memories for Paul de Man). For de Man, texts are always ' spilling over', as the rhetorical aspects of a text threaten (or promise) to infect (or resist) the grammatical and straightforward aspects of a text. are more than ever and profoundly Schillerian."ĭe Man was also obsessed with a fissure internal in language itself, whereby language was always working against itself, and in spite of itself: particularly the ways in which the rhetorical and the grammatical converge upon, and against, each other. and the values by means of which we teach. Many scholars have picked up on this demanian theme and use it in turn to criticize the university (and similar institutions of 'knowledge') for its eurocentric approach to theory and politics. In his Aesthetic Ideology, de Man interrogates the representation of singularities as knowledge, which knowledge is then exchangeable, classifiable, and transmittable as information, information which it is the specific purview of the university to transmit, relay, archive, preserve, and determine, etc. During World War II, de Man apparently wrote anti-Semitic articles for a newspaper sympathetic to the cause of the Nazis, and like Martin Heidegger, this has done considerable damage to his reputation as a competent theorist and reader.ĭe Man's work in critical theory was key to this movement's so-called political turn. in comparative literature from Harvard in 1960, taught at Cornell ( Gayatri Chakravorty Spivak studied under de Man here), John Hopkins, and Yale. Born in Antwerp, Brussels, de Man is one of the most respected literary theorists and deconstructive theorists of the 20th Century.